Friday, August 6, 2010

Boot Hill (1969)

- La collina degli stivali
Okay, but nothing special, 1 June 2006


I've wanted to see Boot Hill for a while now, but it's been difficult to find a watchable transfer. I realize now that I haven't been missing much. For the most part, the film is standard Spaghetti Western stuff. A group of claim jumpers, lead by Honey Fisher (Victor Buono), have everyone in a small mining town under their control. Eventually, though, one of the townsfolk gets tired of being robbed and asks for the help of his friend, Cat Stevens (Terence Hill). Using a traveling circus as cover, Stevens is able to get into town unnoticed for a final showdown with Fisher and his gang of thugs.

Other than the use of the circus, the plot and action in Boot Hill aren't as original or as good as you'll find in some other films of this type. The final showdown is predictable and lacks any real tension. When Stevens finally meets up with Finch, the head bad guy, nothing much happens. Although most of the film is played straight, there are a few attempts at humor that feel out of place. For the most part, the acting is decent, but it's nothing to write home about. Hill, Bud Spencer, and Woody Strode are okay, but it's nothing special. The exception is Buono who is by far the standout in the film. Unfortunately, his screen time is limited and he doesn't even appear until the movie is half over.

Where Boot Hill excels and what makes it unique are the directorial and editing decisions made with the film. There are a number of instances where scenes of violence are quickly spliced with scenes of the circus. Gunfight – a clown playing a trumpet – a man gets shot – a trapeze act – hiding in a barn – dancing girls. It's a nice touch.


Finally, whether intentional or not, Boot Hill features several scenes that can best be described as homosexual in nature. From the miners dancing check-to-check in the opening to Bud Spencer calling the tall, blond, good looking cowboy he lives with "Baby Doll" to the unexplained relationship between Woody Strode and the young, good looking trapeze artist, there's an undeniable homoerotic feel underlying a lot of the movie.

5/10

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