Tuesday, July 27, 2010

The Antichrist (1974)

- L'anticristo
Skip It, 19 December 2005


Dismissing The Antichrist as a rip-off of The Exorcist is too easy. Sure it was designed to cash-in on The Exorcist's success, but it's not the first movie to ride the coattails of another movie. Just look at all the sequels that Jaws spawned (Piranha, Tintotera, Crocodile, etc.) for an even better example. My problems with The Antichrist have nothing to do with comparisons to The Exorcist. Instead, I think that The Antichrist is a mess of a movie on its own.

I suppose that for a movie of this type to be effective, it helps if the audience cares or has some sort of feelings for the characters. Other than the main character, Ippolita Oderisi (Carla Gravina), we never learn enough about them to care what happens to them. As for Ippolita, she's so unlikable that I couldn't have cared less whether she was possessed or not. She's a bitter woman with no redeeming characteristics that I could discern. Even before the possession, she seems to relish making everyone's life miserable. And why should it bother me that she is possessed by the devil? She asked for it – literally. So, she got what she wanted. I had no sympathy for this woman, and without that, the movie doesn't work.

There are other problems with The Antichrist beyond whether or not I cared about the main character. The acting is plain old bad. Even somewhat accomplished actors like Mel Ferrer look like their starring in the local amateur hour. In one scene, I swear he looks embarrassed to be anywhere near this film. The only actor of any consequence who comes off with any dignity in tact is Anita Strindberg and that's just because of her limited screen time.

I suppose that I'll leave it at that and not write anymore about the other areas where the movie fails. Writing about everything I had a problem with in The Antichrist is like shooting fish in a barrel. I could target the special effects, a score that's not up to Morricone's high standards, or the cheap attempts to gross-out the audience, but you get the idea.

3/10

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