Sunday, March 13, 2011

Gamera vs. Barugon (1966)

- Daikaijû kettô: Gamera tai Barugon
Better than the usual Gamera offering, 8 September 2009


A would be jewel thief thinks he's made it big when he gets his hands on the biggest opal he's ever seen. Unfortunately for the thief (and everyone else in Japan), it's not really an opal. Instead, it's a monster's egg – Barugon to be exact. Barugon hatches and begins a reign of terror across Japan. Different theories on how to stop the creature are tested, but to no avail. Just when things seem their bleakest, Gamera shows up and takes care of the situation.

A number of comments on IMDb proclaim that Gamera vs. Barugon is the best of the early Gamera films. While I agree, it's a bit like saying I prefer a tooth ache to a root canal– neither is something I want to experience on a regular basis. In all seriousness, it's not a bad movie, it's just not a very good one. Even with their best effort, Daiei could never match Toho. Daiei's monsters look cheap and clumsy compared with Toho's. And what's up with Barugon shooting a rainbow ray out of his butt? Completely ridiculous. And the final showdown between Gamera and Barugon is way too short. Toho would have been sure this fight scene took up the major portion of the movie.

Still, like I said, Gamera vs. Barugon is better than the usual Gamera offering. Why? Well, for one thing, Gamera is really more like a bit player in the movie. I never cared for Gamera's design so the less of Gamera the better. Next, Gamera vs. Barugon is actually a reasonably intelligent movie with a somewhat interesting subplot involving the jewel thief. I realize intelligence in a Gamera movie is relative, but at least this one doesn't include the usual gaggle of small Japanese kids exclaiming, "Gamera is the friend of all children!" I never quite understood how a monster that destroyed half of Japan goes on to be every child's best friend. Finally, I actually enjoyed some of the acting in Gamera vs. Barugon. Both leads, Kojior Hongo and especially the striking Kyoko Enami give nice performances.

For what it's worth, a 5/10 is the best I can do.

5/10

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