- Sotto il vestito niente II
A good late 80s giallo, 26 December 2017
Sylvia O'Neal is a successful model working in Milan. After the final shoot for a big ad campaign, Sylvia attends a party with some of the other models. Sylvia doesn't realize it, but she has caught the eye of an older, powerful man. She's doesn't realize that he will also be at the party or the party's real purpose. She refuses his advances, but she's not strong enough to fight off the other models. While they hold her, the man rapes her. Distraught, she leaves the party in a hurry only to be found burned to death in a car the following morning. It looks like an accident until the others at the party start turning up dead. And when the police discover Sylvia was shot through the head before the car crash, it's obvious a killer is on the loose.
The 70s were the heyday for the Italian giallo. So it's always nice to discover one made in the 80s, nevermind the late 80s, that's actually good. Too Beautiful to Die is a solid example of a latter day giallo. An unknown killer, a fantastically gruesome murder weapon, artistic touches (tracking shots and blue lighting), a boatload of beautiful women, and plenty of atmosphere - this one has all the elements you expect to find in a giallo. Too Beautiful to Die also features some of the best (or worst) of the 80s. The music, clothing, and hair - all from the 80s. The ad campaigns and music videos the women are working on are incredibly reminiscent of a Robert Palmer video. It's a visual straight out of the 80s. In fact, much of the movie is a bit like watching a string of 80s-era music videos strung together into a film. Plenty of style. Another plus for Too Beautiful to Die are the plot twists and turns you expect to find in a good giallo. There are plenty of clues and red herrings sprinkled throughout that will keep you guessing to the end. With about 20 minutes to go, I was sure I had things figured out. And while I was partially correct, the movie had one more curveball up its sleeve. Very nice. If it weren't for the poor explanation of the killer's motivation, a couple of slow spots in the screenplay, and some questionable acting, I could have easily rated this one higher. Still, it's a nice giallo that fans of the genre should seek out.
The 70s were the heyday for the Italian giallo. So it's always nice to discover one made in the 80s, nevermind the late 80s, that's actually good. Too Beautiful to Die is a solid example of a latter day giallo. An unknown killer, a fantastically gruesome murder weapon, artistic touches (tracking shots and blue lighting), a boatload of beautiful women, and plenty of atmosphere - this one has all the elements you expect to find in a giallo. Too Beautiful to Die also features some of the best (or worst) of the 80s. The music, clothing, and hair - all from the 80s. The ad campaigns and music videos the women are working on are incredibly reminiscent of a Robert Palmer video. It's a visual straight out of the 80s. In fact, much of the movie is a bit like watching a string of 80s-era music videos strung together into a film. Plenty of style. Another plus for Too Beautiful to Die are the plot twists and turns you expect to find in a good giallo. There are plenty of clues and red herrings sprinkled throughout that will keep you guessing to the end. With about 20 minutes to go, I was sure I had things figured out. And while I was partially correct, the movie had one more curveball up its sleeve. Very nice. If it weren't for the poor explanation of the killer's motivation, a couple of slow spots in the screenplay, and some questionable acting, I could have easily rated this one higher. Still, it's a nice giallo that fans of the genre should seek out.
6/10
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