Thursday, March 10, 2011

Blue Eyes of the Broken Doll (1976)

- Los ojos azules de la muñeca rota
A very average Giallo, 17 May 2009


Blue Eyes of the Broken Doll is a decent enough Spanish Giallo with enough twists and turns in the plot to make it reasonably entertaining. The biggest problem, however, is that it lacks the style I usually associate with the genre. The set-up is wonderful – a drifter, Gilles (played by Spanish horror legend Paul Naschy), is hired as a caretaker at a house inhabited by three beautiful women – all of whom have some sort of problem. Claude has a prosthetic arm, Ivette is wheelchair bound, and Nicole is a raging nymphomaniac. Gilles arrival coincides with a series of brutal murders. Gilles has a secretive past, but is he really capable of the string of vicious deaths? Don't worry, it'll all be sorted out in the end.

First - the good. As I've already indicated, I loved the set-up. The big old house full of crazy women provides a wonderful backdrop for the film's events to unfold. The acting is okay. I was most impressed with Diana Lorys' very sympathetic performance as the vulnerable Claude. Next, the plot will keep you guessing right up to the end with its numerous red herrings. Suspicion is thrown on just about everyone. And, even though the ending comes out of nowhere and hardly seems plausible, the final reveal has one of the things I love about Gialli – the total unpredictability of the finale.


But as my rating would indicate, there are things about Blue Eyes of the Broken Doll that didn't work for me as well as they could have. First, I'm not the biggest fan of Paul Naschy. I try and try to enjoy the man's work, but for the most part, I don't see the appeal. Next, the special effects are very weak – even for a low budget Giallo. The eyes look ludicrous. Finally, as I indicated in the opening, Blue Eyes of the Broken Doll lacks that style I look for in a Giallo. Leaving out the works of Dario Argento and Mario Bava, just compare this movie with the Gialli of Sergio Martino, Luciano Ercoli, or Emilio Miraglia and you'll quickly see what I mean.

In the end, I'll give Blue Eyes of the Broken Doll a weak 6/10, verging on a 5/10.

6/10

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