Hercules and the Tyrants of Babylon (1964)

- Ercole contro i tiranni di Babilonia
"There's a limit to the power of resistance.", 9 August 2009

When the King of Babylon died, he left the throne to his three children to rule the land equally. But, and it should come as no surprise, they all have designs on running things for themselves – making for lots of treachery and backstabbing. Their kingdom also needs a steady supply of slaves. But one of their newest slaves just happens to be the Queen of the Hellenes. Hercules gets the signal and jumps into action to rescue the Queen before her true identity can be discovered. Along the way, he'll do what he can to free the rest of the slaves and bring an end to the tyranny of Babylon.

As far as peplums go, Hercules and the Tyrants of Babylon is on the down side of average. The two biggest problems are the lack of a memorable, big moment and Peter Lupus as Hercules. Most all sword and sandal movies worth their salt have one big memorable moment – it might be a fight scene against a Cyclops or a battle against a mechanical giant or it might be the destruction of an army – but there's usually a moment or scene that stands out. That's not the case with Hercules and the Tyrants of Babylon. The closest you'll find here is probably the scene where Hercules turns the big wheel to bring down the walls of Babylon. But it's so ridiculous that it's hardly THE moment. I mean what city is constructed on top of a giant wheel that can be turned to bring about its destruction. It's the equivalent of building a modern city on top of an atomic bomb. It's just stupid! Besides the lack of a big moment, the rest of the screenplay is pretty dull. I'll admit that some of the scenes with the siblings scheming against each other were pretty good, but that's about it. Overall, not a lot of interesting things to hang your hat on.

As for Lupus, he makes for one very dull Hercules. He's got the body for it – tanned to perfection with the ever present sheen of oil – but like the screenplay, he's also dull. The man just didn't have the command or screen presence to pull of being the lead in a movie like this. It doesn't help matters that his version of Hercules insists on carrying a very large club that obviously weighs no more than five pounds. And the sound it makes when he goes into battle – bong, bong, bong. When I was little, I had a game called Bing, Bang, Bong. You arranged these small drum like trampolines just so and bounced a metal ball from one to the other. That's what Hercules club sounds like in Hercules and the Tyrants of Babylon – a metal ball hitting a rubber trampoline. For some reason, I doubt that's what it would sound like if someone were to hit you in the skull with a huge club. (I do realize that it's a tricky thing to criticize anything related to sound in a low-budget Italin movie from the 1960s that's been dubbed. But in this case, I can't help myself.)

I've listed the negatives, so what about the positives? I can sum-up the film's biggest highlight with two words – Helga Line. She is the lone (and very beautiful) bright spot. Though I must admit that some of her outfits probably weren't right for Babylon in 1,000 B.C., but still, she looked good. She also has the best part in the plot. Her scheming is by far more interesting than that of either of her two brothers. But as much as I enjoyed seeing Ms. Line, by herself she can't save the movie. I usually enjoy even bad peplums, however, in the case of Hercules and the Tyrants of Babylon, a 4/10 seems about right.

4/10